0,00€
0
Born in Bordeaux, Anaïs Suchet began dancing at the age of 4. She entered the C.N.R. in Bordeaux at the age of 8, where she continued her studies until she obtained her diploma in choreographic studies, with unanimous congratulations from the jury. At the same time, she perfected her skills with Martial Bockstaele, Danseur Etoile, international guest artist, guest teacher with major companies and Ballet Master at the Opéra National de Bordeaux. She decided to continue her training in Paris with Floriane Blitz, Andrzej Glegolski, Wayne Byars and Éric Camillo.
In 2011, she joined the VM Ballet in Toulouse where she worked with resident choreographer Matthew Madsen.
In 2015, she joined the St Petersburg Winter Palace Ballet with which she took part in the production "Le Petit Prince", a tribute to the 70th anniversary of the writer's death, with the support of the Antoine de Saint-Exupéry Foundation. She took part in the "Prodiges" television programmes on France Télévision from 2015 to 2017, as well as the "Grand Concert" broadcast live from the Stade de Lille.
After working on these productions with choreographer François Mauduit, he invited her to join his own company in 2015.
François Mauduit has danced internationally and was a dancer with the Béjart Ballet Lausanne under Maurice Béjart, who inspired him throughout his career as a dancer and choreographer. The Compagnie François Mauduit (CCFM) performs in France, Europe and Mexico, using the choreographer's repertoire of the great classical ballets as well as his own creations.
[/et_pb_text][/et_pb_column][et_pb_column type="1_2″ _builder_version="4.6.5″ _module_preset="default "][et_pb_image src= "https://www.ballettodanceshop.com/wp-content/uploads/2021/01/portarit-Anais-Nils-2020.jpg " alt= "Portrait d'Anaïs Suchet " title_text="portarit Anais Nils 2020″ align="center " _builder_version="4.6.5″ _module_preset="default " width="90% " max_width="90% " custom_margin="22px||||false|false " custom_margin_last_edited= "off|desktop" custom_margin__hover_enabled="off|desktop"][/et_pb_image][/et_pb_column][/et_pb_row][et_pb_row _builder_version="4.6.5″ _module_preset="default "][et_pb_column type="4_4″ _builder_version="4.6.5″ _module_preset="default "][et_pb_text _builder_version="4.6.5″ _module_preset="default " text_orientation="justified "]Anaïs will have the opportunity to perform the roles of Cupid and Mercedes in Don Quixote, the four Little Swans as well as the variation of the Russian Dance in Act III of the ballet "Un Lac, des Cygnes", the Sylphide, Hommage à Petipa and Aurore in "La Belle au Bois Dormant". She has taken part in creations such as Carmen, La Dame de Pique, The Four Seasons, Bolero and The Rite of Spring, The Nutcracker and Luminaissance. The dancers had the honour of being the first company in France to perform, with the permission of the George Balanchine Trust, George Balanchine's famous 'Valse Fantaisie', remounted by Nanette Glushak, a dancer with the New York City Ballet under the direction of George Balanchine. Her career is worldwide, as a soloist with the American Ballet Theatre, she danced with famous partners such as Mikhail Barishnikov, became director of numerous companies and, since 1987, has been responsible for transmitting the Balanchine repertoire.
September 2019, Anaïs joins B&M Compagnie under the artistic direction of Manon Bastardie, soloist with the Ballet National de Marseille directed by Emio Greco and Piter Scholten. There she performed the choreographer's creations in Horizons, Tchaikovsky, Silence, Give up and If I Loose You. She also works with the B&M (Junior Company) and is a choreographic assistant.
In January 2020, she joined the Compagnie Illicite Bayonne for the production "Eden" under the artistic direction of Fἀbio Lopez, dancer with the Malandain Ballet Biarritz.
August 2020, she joins CIE Estelle Danvers in which she performed BeBach, les Indes Galantes, Solos et Duos and Man That Is Born Of Woman. She is currently taking part in the new creation La Reine Transparente.
[/et_pb_text][et_pb_text _builder_version="4.6.5″ _module_preset="default " text_orientation="justified"]Anaïs is a versatile dancer who at the same time works with the "La Fayette Ballet" retracing the life of the Marquis de La Fayette, the troupe performs in France and the United States. For over ten years, she has taken part in numerous lyrical shows produced by ATL Productions. For a number of years now, it has been part of the "Foll Aventure" revue directed by Fabienne Renaud.
Anaïs has been a BALLETTO DANCE SHOP ambassador since September 2020.
[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure="1_2,1_2″ _builder_version="4.6.5″ _module_preset="default " custom_padding="||0px||false|false "][et_pb_column type="1_2″ _builder_version="4.6.5″ _module_preset="default"][et_pb_image src="https://www.ballettodanceshop.com/wp-content/uploads/2021/01/DSC4019-scaled.jpg " alt="Anaïs Suchet dancing" title_text="_DSC4019″ align="center" _builder_version="4.6.5″ _module_preset="default " width="100%" max_width="100%" custom_margin="22px||||false|false" custom_margin_last_edited="off|desktop" custom_margin__hover_enabled="off|desktop"][/et_pb_image][/et_pb_column][et_pb_column type="1_2″ _builder_version="4.6.5″ _module_preset="default "][et_pb_text _builder_version="4.6.5″ _module_preset="default " text_orientation="justified " custom_padding="20px||||false|false "]The B&M Compagnie gets off the beaten track by generating its own identity through dance that represents the fundamentals of classical dance, while at the same time creating its own choreographic identity through contemporary writing. The company combines different types of dance, combining technical performance and modern expression. Its aim is to open up to a wide audience so that every emotion and every story can be recognised and fully experienced.
In September 2019, Anaïs joins the B&M Compagnie. She then danced various pieces from Manon Bastardie's repertoire: Horizons, Tchaikovsky, Give up, Silence, If I loose you.
[et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version="4.6.5″ _module_preset="default "][et_pb_column type="4_4″ _builder_version="4.6.5″ _module_preset="default "][et_pb_text _builder_version="4.6.5″ _module_preset="default " text_orientation="justified "]Anaïs is also joining the B&M2 junior Compagnie teaching team in September 2019 to assist the choreographer and director, Manon Bastardie, with rehearsals. Her experience of working with young people means that she plays a key role. Her open-mindedness and willingness to take care of and advise these young artists make her an essential part of our young company's teaching team.
Manon Bastardie, choreographer of the B&M Compagnie, brings a fresh, young and innovative approach to neo-classical and contemporary dance. With her experience from the age of 19 in one of the world's leading dance companies, she has a less violent approach that is closer to her dancers. The young woman, full of energy and ambition, seems to have a gift for artistic creation, having started choreographing her own solos at the age of 17. Filled with new ideas and inspiration, she embarked on the B&M Compagnie.
His creations are composed of contemporary as well as classical and neo-classical elements: multidisciplinarity being the greatest ally of our language.
Born in Albi, she began dancing at the age of 5 and left her home town at 13 to join the Ecole Nationale Supérieure de danse de Marseille. There she studied for three years with a special timetable, before joining the VM Ballet in Toulouse, where the stage is the main focus. She obtained her first professional contract at the young age of 19 with the Ballet National de Marseille under the direction of Emio Greco and Peter Scholten. During her two years there, she met a large number of important figures in the world of dance (former dancers with great choreographers such as W. Forsyth and A. Preljocaj). She also had the chance to dance many roles in corps de ballet and as a soloist in creations by Emio Greco and Peter Scholten ("le corps du ballet national de Marseille", "extremalism", "momentum", "bolero", "pointless".
[et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure="1_2,1_2″ _builder_version="4.6.5″ _module_preset="default " custom_padding="||0px||false|false "][et_pb_column type="1_2″ _builder_version="4.6.5″ _module_preset="default "][et_pb_text _builder_version="4.6.5″ _module_preset="default " text_orientation="justified " custom_padding="||||false|false "]Trained at the Bordeaux Conservatoire, Estelle Danvers has worked with many choreographers in her career as a performer, and has also danced extensively in musical and operatic shows. This has left her with a strong taste for eclecticism and diversity - she loves exploring different worlds (especially musical ones) and mixing dance with other disciplines, especially singing and theatre.
A choreographer for operas and other musical performances for over 10 years, she made her first solo creation with Patchwork, which premiered in 2017 at the Café de la Danse in Paris: an ensemble of several pieces for 9 dancers, each lasting 20-25 minutes.
[/et_pb_text][/et_pb_column][et_pb_column type="1_2″ _builder_version="4.6.5″ _module_preset="default "][et_pb_image src= "https://www.ballettodanceshop.com/wp-content/uploads/2021/01/DSC4168-scaled.jpg " alt= "Anaïs Suchet qui danse " title_text="_DSC4168″ _builder_version="4.6.5″ _module_preset="default "][/et_pb_image][/et_pb_column][/et_pb_row][et_pb_row _builder_version="4.6.5″ _module_preset="default "][et_pb_column type="4_4″ _builder_version="4.6.5″ _module_preset="default "][et_pb_text _builder_version="4.6.5″ _module_preset="default " text_orientation="justified "]For example, for BeBach, she called on an actor to guide the dancers in interpreting the characters she had imagined; for Retro, she used a song by Jacques Higelin or the voice of Jean Gabin.
In the programme of Solos and Duos created in 2020, a lyric singer accompanies one of the dancers to the music of Casta Diva.
In the 2021 creation, La Reine Transparente, this opera singer and a cellist will accompany the 6 dancers.
This summer's programme includes a Mozart Requiem performed by 6 dancers and a string quartet.
Choreography has always been an obvious choice for Estelle, and her career as a performer has enabled her to shape her own language: instinctive, fluid movement with a contemporary energy (while retaining a neoclassical aesthetic in the lines, musicality and relationship with the audience). Emotion is at the heart of her work. For Estelle, the important thing is "to transcribe an emotion through movement, to let feelings come to us that are sometimes buried beneath the surface, and to tell them in space. The language doesn't matter, the technique doesn't matter, what counts is the intention, the story, the experience! What counts is the dance and the dancer. At that precise moment when he gives himself up without modesty, everything else is irrelevant.
The dancers are very important to Estelle, because it is through them that the choreography takes on its full meaning. Thanks to the mix of solid classical training and varied experience of her dancers, she can move away from academicism and bring them into her own language.
[et_pb_text][et_pb_text _builder_version="4.6.5″ _module_preset="default"]Estelle is accompanied by her assistant, Laetitia Antonin, with whom she has shared the stage for many years. For administration and logistics, she relies on Marion Bonnet, who is also the Company's photographer.
The Company's plans for 2021:
See extracts:
*BALLETTO DANCE SHOP is the official supplier of the Dance Companies mentioned in this Blog.
[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]